Gypsum drywall relief made for ROZPTYL 2023
recarnis, 2022
white ceramics serpents
good omens for above your bed or door or onto your table ready to protect you and your homes
stolička, 2022
Vosk včelí, 6,8l
Parafín, 3,4l
Hadica Corsair XT SL, 25 mm PVC, 12 m
Izolačný Polystyren EPS 70 F 4 cm, 6m²
Olej slnečnicový 0,2 dcl
3M duct tape univerzálna textilná páska 1900, 20m
Stretch fólia 12m
Sťahovacia páska 50ks
Klinec 70mm, 30ks
Lanko silon, 9m
Natural 95 benzín, 16l
Papier novinový 50g, 3 x A3
sviece, 2022
beewax, clay form, wick
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recarnis
The family of relict brick objects is a reincarnation of a building material that experienced its birth and survived its death. From the act of reintroducing construction waste into a usable form and function, while celebrating the memory of the material from which it originates, arises a fossilized trace of the past lives of clay. The effort to capture the self-destructive codes of mankind, (which are authentically engraved into each of the objects) literally fused into the pores of the matter of brick clay by the technological process of glazing and firing. The objects retain water and therefore can be used as utilitarian vessels-vases as well as solitary objects-sculptures. Resurrected bricks can prolong the life of cut flowers. Or its own life, at least
ring, 2022
silver, pebble
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ceramics 2021
Killing me softly, objekty v inštalácii, 2021
Galeria Gánok
/ Hontianske Trsťany /
26.9 - 24.10. 2021
Replicas of female polar bears
(Original found, made by M. Šoltés)
2020
Fired glazed clay
20cm x 5cm / 15cm x 4cm
Vessel de Millo
2020
Fired glazed clay
(Galeria MsKS Piešťany)
Palivo/ doslovne udržateľná móda 2018-2019
Drevo, kov, zvyškový textil...
(Bratislava Design week 2019 / Festival NASUTI 2019)
vazes
2020
Something I made and lost and miss
2018
glazed and fired clay, surgcal steel, quartz
Growing up
2018
A jewel
surgical steel, cut & filed nails( finger nails)
“You may say that I'm a dreamer
But I'm not the only one”
But I'm not the only one”
2008
acrylic paint on wood
acrylic paint on wood
On being a woman
2016
Interactive sculpture / performance
flour, water, sachet fast-action yeast, Max Factor Face Finity All Day Flawless 3 in 1 Foundation (50 Natural)
CHANEL COCO mademoiselle Eau de Parfum Intense Spray
2016
Interactive sculpture / performance
flour, water, sachet fast-action yeast, Max Factor Face Finity All Day Flawless 3 in 1 Foundation (50 Natural)
CHANEL COCO mademoiselle Eau de Parfum Intense Spray
information for the user: Bake until golden brown and the loaf sounds hollow when tapped...
Peeace
2016
Sandberg Institute
Performance/ installation
flag( cotton fabric rectange 100 x 85 cm , wooden pole), my urin
2016
Sandberg Institute
Performance/ installation
flag( cotton fabric rectange 100 x 85 cm , wooden pole), my urin
Group exhibition
Peeace
Framing EGO
2016
The Bookstore Projctspace,
Amsterdam
Prvá Láska /First Love
2016
ceramics collection
glazed and fired clay
The German bottoms
2016
publication
Selection of the German Bottoms from a publiction
about the German gallery and museum floors
about the German gallery and museum floors
The truth is always a little further then it actually is
2014
Installation
Mirror, prefabricated tiles, helmet, pre-chewed gums
2014
Installation
Mirror, prefabricated tiles, helmet, pre-chewed gums
holy
2018
glazed and fired clay, silver
Melting candles
2017
a metaforical consideration of the mysteries of the feeling of disappointment
in love
performed in a monologue with my candles
Spin the bottle is a party game in which several (or more) players
sit, stand, or kneel in a circle.
A bottle is placed
on the floor in the center of the circle.
A player spins the bottle,
and must kiss the person to whom the bottle points when it stops spinning
Performed at KHL, Amsterdam / Broodje gezond performance night
2016
catwalked at the Rietveld Show 2016, Europahal , RAI
Amsterdam
Móde
Gerrit Rietveld Academie
2018
The white horse sculpture
2016
glazed and fired clay
glazed and fired clay
COAT I
COAT II
2015-16
Coat I and Coat II work wa selected for
The National Design Award of
Slovakia in 2016
the work was exhibited in SATELIT gallery
Vaze posing
2017
glazed and fired clay
SINS'N'PAINS
Sins’N’Pains is an anti-fashion statement,
refusing to change by
seasons,
determinant to find,
create and keep images that can stay
permanently,
above trends and for all times.
SUCKPACK/
RUCKSUCK
2016
is a simple form made of artifical leather,
a cloth sack carried on one's
back skin
and secured with a toilette plunger
instead of the straps that go over the shoulders.
It has got a capacity of around 2 kg in weight
and it leaves beautiful hickeys on the skin
ROMANA I,
2016
photography
LUNA I,
2015
photography
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ROMANA II,
2016
kone a muchy
2016
212 mm x 330 mm
drawing + typewritting
DIANA
2015
photography
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ROMANA III,
2016
potography
/ˈfəʊklɔː/
2017
A minicollection inspired by the slavic traditional costumes
showed on The Rietveld Fashion Show 2017
A minicollection inspired by the slavic traditional costumes
showed on The Rietveld Fashion Show 2017
presented in WOW Amsterdam
Unable Lable
2016-2017
This project was supported by Droog Amstredam and was followed by
The Price of Fashion : Fashion Charity Auction (see below)
and was exhibited at Borders & Migration exhibition in Radion, Amsterdam, 2016 (see above)
LUNA II
2015
photography
Thesis
full thesis
full thesis
On Silence
Gerrit Rietveld Academie 2018
ThesisMentor: Mo Veld
Co-Reader: Anton Reijnders
Layout: Vincent Ludwig
