Gypsum drywall relief made for ROZPTYL  2023



ring / happy end of a goat skull’s tale part IV.


recarnis, 2022










white ceramics serpents
good omens for above your bed or door or onto your table ready to protect you and your homes



stolička, 2022
Vosk včelí, 6,8l
Parafín, 3,4l
Hadica Corsair XT SL, 25 mm PVC, 12 m
Izolačný Polystyren EPS 70 F 4 cm, 6m²
Olej slnečnicový 0,2 dcl
3M duct tape univerzálna textilná páska 1900, 20m
Stretch fólia 12m
Sťahovacia páska 50ks
Klinec 70mm, 30ks
Lanko silon, 9m
Natural 95 benzín, 16l
Papier novinový 50g, 3 x A3







sviece, 2022
beewax, clay form, wick











































recarnis

The family of relict brick objects is a reincarnation of a building material 
that experienced its birth and survived its death. 
From the act of reintroducing construction waste into a usable form and function,
 while celebrating the memory of the material from which it originates, 
arises a fossilized trace of the past lives of clay. 
The effort to capture the self-destructive codes of mankind,
 (which are authentically engraved into each of the objects) 
literally fused into the pores of the matter of brick clay 
by the technological process of glazing and firing. 
The objects retain water and therefore can be used as utilitarian vessels-vases 
as well as solitary objects-sculptures.  
Resurrected bricks can prolong the life of cut flowers. 
Or its own life, at least   







ring, 2022
silver, pebble













ceramics 2021


















Killing me softly, objekty v inštalácii, 2021
Galeria Gánok 
/ Hontianske Trsťany / 
26.9 - 24.10. 2021


























Replicas of female polar bears 
(Original found, made by M. Šoltés)
2020
Fired glazed clay
20cm x 5cm / 15cm x 4cm












Vessel de Millo
2020
Fired glazed clay
(Galeria MsKS Piešťany)

















Palivo/ doslovne udržateľná móda 2018-2019
Drevo, kov, zvyškový textil...



(Bratislava Design week 2019 / Festival NASUTI 2019)

 













 








 



vazes
2020






 






Something I made and lost and miss
2018
glazed and fired clay, surgcal steel, quartz




 




 


 
 














 




Growing up
2018
A jewel
surgical steel, cut & filed nails( finger nails)



                                                                                      




“You may say that I'm a dreamer
But I'm not the only one”
 2008
acrylic paint on wood
 









 





On being a woman
2016
Interactive sculpture / performance
flour, water, sachet fast-action yeast, Max Factor Face Finity All Day Flawless 3 in 1 Foundation (50 Natural)
CHANEL COCO mademoiselle Eau de Parfum Intense Spray

 
information for the user: Bake until golden brown and the loaf sounds hollow when tapped...




Peeace
2016
Sandberg Institute
Performance/ installation
flag( cotton fabric rectange 100 x 85 cm , wooden pole), my urin














Group exhibition  

Peeace

     Framing EGO
 2016
The Bookstore Projctspace, 
Amsterdam











Prvá Láska /First Love
2016
ceramics collection
glazed and fired clay








 
  
 







The German bottoms
2016 
publication

Selection of the German Bottoms from a publiction
 about the German gallery and museum floors


 
The truth is always a little further then it actually is
2014
Installation
Mirror, prefabricated tiles, helmet, pre-chewed gums






 

  
holy
2018
glazed and fired clay, silver

 

 

 













Melting candles
2017
a metaforical consideration of the mysteries of the feeling of disappointment 
in love
performed in a monologue with my candles

Spin the bottle is a party game in which several (or more) players 
sit, stand, or kneel in a circle. 
A bottle is placed on the floor in the center of the circle.
 A player spins the bottle,
 and must kiss the person to whom the bottle points when it stops spinning 
Performed at KHL, Amsterdam / Broodje gezond performance night
 














 
     Maiden   
 2016

 catwalked at the Rietveld Show 2016, Europahal , RAI Amsterdam






 














 
 
 














Móde
Gerrit Rietveld Academie 
2018
https://www.vogue.it/en/vogue-talents/fashion-schools-vogue-talents/2018/06/25/gerrit-rietveld-academie-fashion-show-2018-best-looks/
https://fashionunited.com/education/news/gerrit-rietveld-reveals-new-talents-at-2018-fashion-show/2018070522159






 
The white horse sculpture 
2016
glazed and fired clay









 
 


  






 
COAT I
  COAT II  
  2015-16


 Coat I and Coat II work wa selected for 
The National Design Award of Slovakia in 2016
 (www.sdc.sk) 
the work was exhibited in SATELIT gallery




Vaze posing
2017
glazed and fired clay










SINS'N'PAINS

Sins’N’Pains is an anti-fashion statement, 
refusing to change by seasons,
 determinant to find, 
create and keep images that can stay permanently,
 above trends and for all times.

https://sinsandpains.com/
https://www.instagram.com/sinsandpains/?hl=en
https://sinsnpains.myshopify.com/













 
  












SUCKPACK/
RUCKSUCK
2016

is a simple form made of artifical leather, 
a cloth sack carried on one's back skin
 and secured with a toilette plunger 
instead of the straps that go over the shoulders.
It has got a capacity of around 2 kg in weight 
and it leaves beautiful hickeys on the skin












 
 


ROMANA I, 
2016
photography
 



LUNA I,
2015
  photography





  

 







 

 




ROMANA II,
2016
photography

    








 


 







 

kone a muchy 

2016
212 mm x 330 mm 
drawing + typewritting 









 
DIANA 
2015
photography
















 


 





ROMANA III,
2016
potography 

/ˈfəʊklɔː/
2017
A minicollection inspired by the slavic traditional costumes
showed on The Rietveld Fashion Show 2017

presented in WOW Amsterdam




















 

Unable Lable

2016-2017

This project was supported by Droog Amstredam and was followed by 

The Price of Fashion : Fashion Charity Auction (see below)

and was exhibited at Borders & Migration exhibition in Radion, Amsterdam, 2016 (see above)





 




 




 




























 

 

 

 
 
 

 

LUNA II
2015
photography














 
Thesis
full thesis
 
On Silence
 Gerrit Rietveld Academie 2018  
ThesisMentor: Mo Veld 
Co-Reader: Anton Reijnders
 Layout: Vincent Ludwig









 




 







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